The Edge of Daylight.
Oil on Panel
14 cm x 23 cm
unframed.
Returning to a favourite spot at Galmpton Creek to paint en plein air. I knew time was fleeting as the day's last light cast its glow over the landscape. The sun had already dipping behind the Dartmouth hills, I set up my easel in a hurry, determined to capture the scene before darkness descended.
It is a tranquil waterside view but I felt the urgency to capture this fleeting moment of beauty.
With swift and purposeful brushstrokes, I aimed to distill the essence of Galmpton Creek into the painting. The fading light rendered the hills dark, in a contre jour effect. Every stroke was a race against time, a race to capture the scene as it was,.
'The Edge of Daylight' is the result of hurried creativity which gives it a sense of life and vigour, with the aim of bringing you an experience of that tranquil moment at the edge of the water, at the edge of daylight.
Oil on Panel
14 cm x 23 cm
unframed.
Returning to a favourite spot at Galmpton Creek to paint en plein air. I knew time was fleeting as the day's last light cast its glow over the landscape. The sun had already dipping behind the Dartmouth hills, I set up my easel in a hurry, determined to capture the scene before darkness descended.
It is a tranquil waterside view but I felt the urgency to capture this fleeting moment of beauty.
With swift and purposeful brushstrokes, I aimed to distill the essence of Galmpton Creek into the painting. The fading light rendered the hills dark, in a contre jour effect. Every stroke was a race against time, a race to capture the scene as it was,.
'The Edge of Daylight' is the result of hurried creativity which gives it a sense of life and vigour, with the aim of bringing you an experience of that tranquil moment at the edge of the water, at the edge of daylight.
Oil on Panel
14 cm x 23 cm
unframed.
Returning to a favourite spot at Galmpton Creek to paint en plein air. I knew time was fleeting as the day's last light cast its glow over the landscape. The sun had already dipping behind the Dartmouth hills, I set up my easel in a hurry, determined to capture the scene before darkness descended.
It is a tranquil waterside view but I felt the urgency to capture this fleeting moment of beauty.
With swift and purposeful brushstrokes, I aimed to distill the essence of Galmpton Creek into the painting. The fading light rendered the hills dark, in a contre jour effect. Every stroke was a race against time, a race to capture the scene as it was,.
'The Edge of Daylight' is the result of hurried creativity which gives it a sense of life and vigour, with the aim of bringing you an experience of that tranquil moment at the edge of the water, at the edge of daylight.